critical guides
This unique series of reference guides provides an invaluable resource for students, researchers and enthusiasts alike. Through concise short essays containing original information, these books offer valuable insight into the careers of hundreds of filmmakers, giving special emphasis to emerging directors rarely included in film guides yet who are changing the face of contemporary filmmaking.
Entries include brief biographical material, a complete filmography, and a critical analysis of the most important works of the director. They will be updated in future editions to ensure the Wallflower Critical Guides remain an essential resource for anyone interested in the changing world of global cinema.
Gods, Glamour and Gossip
Kush Varia
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978-1-906660-15-4 (pbk)
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Auteurs and Other Myths
C. Paul Sellors
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978-1-906660-24-6 (pbk)
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James Quandt (ed.)
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978-3-901644-31-3 (pbk)
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Matt Hills
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978-1-906660-33-8 (pbk)
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Ian Cooper
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978-1-906660-32-1 (pbk)
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On The Five Obstructions
Mette Hjort (ed.)
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978-1-905674-75-6 (pbk)
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ON FILM FESTIVALS
Richard Porton (ed.)
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978-1-906660-06-2 (pbk)
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On East Asian Filmmakers
Kate E Taylor (ed.)
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978-1-906660-31-4 (pbk)
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Cruel Games
Devil In The Blood
Tainted Love
Substitute
Into the White
I Fought the Law
Impossible Worlds on Screen
David Butler
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978-1-906660-16-1 (pbk)
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Archives, Museums and the Digital Marketplace
Edited by Paolo Cherchi Usai, David Francis, Alexander Horwath, Michael Loebenstein
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978-3-901644-24-5 (pbk)
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History, Ideology, Genre
James Kendrick
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978-1-906660-26-0 (pbk)
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Wilbirg Brainin-Donnenberg & Michael Loebenstein (eds.)
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978-3-901644-30-6 (pbk)
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The Definitive Annual Review of World Cinema
Ian Haydn Smith (ed.)
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978-1-905674-99-2 (pbk)
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The Definitive Annual Review of World Cinema (OUT FEB '10)
Ian Haydn Smith (ed.)
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978-1-906660-38-3 (pbk)
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Journalism and American Film Culture, 1905 to 1915
Jan Olsson
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978-9-188468-06-2 (hbk)
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Mark Bould, Kathrina Glitre and Greg Tuck (eds)
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Breaking the Waves
Darcy Paquet
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978-1-906660-25-3 (pbk)
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Musicians and Musical Performance in Documentary Cinema
Thomas F. Cohen
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978-1-906660-22-2 (pbk)
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An International Poetics of Film Narration
Eleftheria Thanouli
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978-1-906660-09-3 (pbk)
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Critics, Writers and Art Cinema in France
Dorota Ostrowska
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978-1-905674-57-2 (pbk)
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Spectacle, Gender and Fairy Tale Film
Alison Tedman
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James Bond and Casino Royale
Christoph Lindner
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978-1-906660-19-2 (pbk)
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From Scripture to Screen
Catherine O'Brien
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978-1-906660-27-7 (pbk)
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Ian Hadyn Smith (ed.)
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978-1-906660-07-9 (pbk)
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Europe Utopia
Ben McCann and David Sorfa (eds)
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Kate Egan
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978-1-906660-34-5 (pbk)
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Subjective Cinema and the Essay Film
Laura Rascaroli
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978-1-906660-12-3 (pbk)
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Pelle Snickars and Patrick Vonderau (eds)
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978-9-188468-11-6 (hbk)
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.jpg&w=109&h=163)
Jason Wood and Ian Haydn Smith (eds.)
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978-0-9558112-0-3 (pbk)
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Re-Viewing Nonfiction Film and Video
Keith Beattie
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A History of Science in Documentary Films and Television
Timothy Boon
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978-1-905674-37-4 (pbk)
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Alexander Howarth and Michael Loebenstein (eds)
Dark Alchemy (2nd edition)
Peter Hames (ed.)
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Dark Carnival
Carole Zucker
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978-1-905674-41-1 (pbk)
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Gönül Dönmez-Colin (ed.)
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Jeffrey Weinstock
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978-1-905674-50-3 (pbk)
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The Cinema of Jean Rouch
Joram Ten Brink (ed.)
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978-1-905674-47-3 (pbk)
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978-1-905674-38-1 (hbk)
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Geoff King
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978-1-905674-51-0 (pbk)
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Barbara Pichler and Claudia Slanar (eds)
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978-3-901644-23-8 (pbk)
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Authenticity and Artifice
Caroline Bainbridge
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978-1-905674-43-5 (pbk)
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978-1-905674-44-2 (hbk)
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Birgit Beumers (ed.)
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978-1-904764-98-4 (pbk)
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The World of Light and Shadow
Ian Roberts
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978-1-905674-60-2 (pbk)
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Indian Experimental Film and Video 1913-2006
Brad Butler and Karen Mirza (eds)
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978-0-9553881-0-1 (pbk)
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Geoff Mayer and Keith Beattie (eds)
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Poetic Visions of America (2nd edition)
Hannah Patterson (ed.)
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Ethan de Seife
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978-1-905674-49-7 (pbk)
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Film, Television and the Arts in Britain
John Wyver
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978-1-905674-39-8 (pbk)
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The Telling of Stories
Mike Chopra-Gant
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978-1-905674-59-6 (pbk)
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Performance, Cinema and the Arts
Maaret Koskinen (ed.)
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Benjamin Cook and Gary Thomas (eds)
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978-0-9548569-2-2 (pbk)
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Dina Iordanova (ed.)
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Aesthetic Ecstasy and Truth
Brad Prager
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Trauma, Memory and Visual Culture
Frances Guerin and Roger Hallas (eds)
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Cinema, Special Effects and the Virtual Actor
Dan North
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978-1–905674–53-4 (pbk)
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Transcultural Documentary Practice
Alan Grossman and Áine O'Brien (eds)
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978-1-905674-04-6 (pbk)
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The Definitive History of Underground Cinema
Duncan Reekie
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978-1-905674-21-3 (pbk)
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The Other Side of the Screen
Whitney Crothers Dilley
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978-1-905674-08-4 (pbk)
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Jerry White (ed.)
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978-1-904764-61-8 (hbk)
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Films, Videos and Installations by Matthias Muller
Peter Todd and Benjamin Cook (eds)
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978-3-930916-76-4 (pbk)
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Surrealism on Film
Graeme Harper and Rob Stone (eds)
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978-1–904764–86–1 (pbk)
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Observational Documentary and the Politics of the Sixties
Dave Saunders
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Film, Ethics, Testimony and the Holocaust
Libby Saxton
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978-1-905674-35-0 (pbk)
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Phil Powrie (ed.)
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All That Heaven Allows
James Morrison (ed.)
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978-1-904764-77-9 (pbk)
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Contemporary Argentine Film
Tamara L. Falicov
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978-1–904764–92–2 (pbk)
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Mark Webber (ed.)
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978-0-9548569-1-5 (pbk)
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The Case of Lena Smith
Alexander Howarth and Michael Omasta (eds)
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978-3-901644-16-0 (pbk)
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Tytti Soila (ed.)
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Empire of Light
Nigel Morris
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Watching. Real. People. Elsewhere
Mark Cousins
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978-0-905674-79-4 (hbk)
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The Vertov Collection at The Austrian Film Museum
Thomas Tode and Barbara Wurm (eds)
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978-3-901644-19-1 (pbk)
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A Margaret Tait Reader
Peter Todd and Benjamin Cook (eds)
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978-0-9548569-0-8 (pbk)
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Brian McFarlane (ed.)
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From Baron of Blood to Cultural Hero
Ernest Mathijs
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978-1-905674-65-7 (pbk)
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978-1-905674-66-4 (hbk)
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Dark Spaces of the World
John Orr and Elzbieta Ostrowska (eds)
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Viennese by Choice, Filmemacher von Beruf
Michael Omasta
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978-3-901644-17-7 (pbk)
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The Technique of Terror
Ian Conrich
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Lone Star
Mark Bould
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978-1-905674-27-5 (pbk)
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978-1-905674-28-2 (hbk)
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Alberto Mira (ed.)
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978-1–904764–44–1 (pbk)
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978-1–904764–45–8 (hbk)
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Critical Writings on Artists' Film and Video
Nina Danino and Michael Mazière (eds)
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978-1-903364-47-5 (pbk)
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Cinema Calls Home
Murray Pomerance (ed.)
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978-1–905674–55-8 (pbk)
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978-1–905674–56–5 (hbk)
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Eurotrash and Exploitation Cinema Since 1945
Ernest Mathijs and Xavier Mendik (eds)
Formats, Critics and Publics
Ernest Mathijs and Janet Jones (eds)
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978-1-904764-18-2 (pbk)
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978-1-904764-19-9 (hbk)
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Filmmakers' Choices / The Pop Song in Film / Reading Buffy
John Gibbs and Douglas Pye (eds)
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978-1-904764-57-1 (pbk)
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Movies and Tone / Reading Rohmer / Voices in Film
John Gibbs and Douglas Pye (eds)
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978-1-905674-06-0 (pbk)
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A Wallflower Critical Guide
Yoram Allon, Del Cullen and Hannah Patterson (eds)
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978-1-903364-21-3 (pbk)
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A Wallflower Critical Guide (second edition)
Yoram Allon, Del Cullen and Hannah Patterson (eds)
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978-1-903364-52-9 (pbk)
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Film Criticism and Screen Arts
Chris Darke
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978-1-903364-07-9 (pbk)
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How Hollywood and the Media Limit What Films We Can See
Jonathan Rosenbaum
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978-1-903364-60-4 (pbk)
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Realism and Revelation
Anita Biressi and Heather Nunn (eds)
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978-1–904764–04–5 (pbk)
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Representing Contemporary Urban America
James Lyons
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978-1-903364-96-3 (hbk)
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Contemporary Chronophotography and Experimental Digital Art
Paul St. George (ed.)
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978-1-905674-76-3 (pbk)
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Contemporary World Filmmakers in Interview
Jason Wood
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978-1-904764-90-8 (pbk)
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Predicting/Preventing the TV Discourse of Tomorrow
Angela Hague and David Lavery (eds)
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978-1-903364-39-0 (pbk)
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Peter Hames (ed.)
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A Sense of the Real
Garry Watson
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Investigating The Sopranos
David Lavery (ed.)
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978-1-903364-44-4 (pbk)
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Cinema and the Re-Creation of the World
S. Brent Plate
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978-1-905674-69-5 (pbk)
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British Cinema and Thatcherism (second edition)
Lester Friedman (ed.)
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978-1–904764–71–7 (pbk)
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Justin Bowyer (ed.)
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978-1–904764–12–0 (hbk)
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Dreams and Diaries
Ewa Mazierska and Laura Rascaroli
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978-1–903364–77–2 (pbk)
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Taking Movies Seriously
Daniel Shaw
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978-1-905674-70-1 (pbk)
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Reading Women's Films
Geetha Ramanathan
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978-1–904764–69–4 (pbk)
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Giorgio Bertellini (ed.)
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978-1–903364–98–7 (pbk)
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Variations on Destiny and Chance
Marek Haltof
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978-1–903364–92–5 (hbk)
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From Heritage to Horror
James Leggott
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978-1-905674-71-8 (pbk)
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Popular Culture in Global Context
Ernest Mathijs (ed.)
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American Dreams, Nightmare Visions
Erica Sheen and Annette Davison (eds)
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978-1–903364–86–4 (hbk)
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Ernest Mathijs (ed.)
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The Police Series / Men's Cinema / Weimar Cinema
John Gibbs and Douglas Pye (eds)
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Daniel Frampton
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978-1–904764–85–4 (hbk)
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The Art of Irony and Defiance
John Orr and Elzbieta Ostrowska (eds)
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Alberto Elena and Marina Díaz López (eds)
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978-1–903364–83–3 (pbk)
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978-1–903364–84–0 (hbk)
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Identity, Culture and Politics in Film
Stephanie Dennison and Song Hwee Lim (eds)
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978-1-904764-63-2 (hbk)
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Renoir, Film and Philosophy
Colin Davis
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978-1-905674-63-3 (pbk)
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Knight of the Living Dead
Tony Williams
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978-1-903364-62-8 (hbk)
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A New Look
Naomi Greene
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978-1-905674-12-1 (pbk)
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A Case Study of Politics and the Media
Rod Stoneman
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978-1-905674-74-9 (pbk)
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Postmodern Travel and the European Road Movie
Ewa Mazierska and Laura Rascaroli
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978-1–904764–67–0 (pbk)
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978-1–904764–68–7 (hbk)
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The Poetics of Memory
Aleksandar Dundjerovich
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978-1-903364-33-8 (pbk)
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Investigating the Scene
Kirsten Moana Thompson
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978-1-905674-13-8 (pbk)
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Tanya Krzywinska
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978-1–904764–73–1 (pbk)
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978-1–904764–74–8 (hbk)
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Joseph Garncarz
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978-1-905674-90-9 (pbk)
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978-1-905674-91-6 (hbk)
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Hollywood Transgressor
Sean Redmond and Deborah Jermyn (eds)
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978-1-903364-42-0 (pbk)
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Such Things as Dreams Are Made of
Caroline Jess-Cooke
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978-1-905674-14-5 (pbk)
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On Manoel De Oliveira
Carolin Overhoff Ferreira (ed.)
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978-1-905674-80-0 (pbk)
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Comparative Readings in Film Studies
Jaqueline Furby and Karen Randell (eds)
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978-1–904764–34–2 (pbk)
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The Celluloid Highway
Alexander Graf
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978-1-903364-29-1 (pbk)
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The Power of Looking On
Michelle Aaron
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978-1-905674-01-5 (pbk)
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Art in the Service of the People
Jacob Leigh
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978-1-903364-31-4 (pbk)
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A Politics of Love
Sophie Mayer
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978-1-905674-67-1 (pbk)
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978-1-905674-68-8 (hbk)
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The International Reception of Night and Fog
Ewout van der Knaap (ed.)
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978-1-904764-64-9 (pbk)
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Boy Meets Girl Meets Genre
Tamar Jeffers McDonald
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978-1-905674-02-2 (pbk)
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The Moving Image and the Modern Metropolis
Andrew Webber and Emma Wilson (eds)
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978-1-905674-31-2 (pbk)
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The Legacy of a Science Fiction Classic
Will Brooker (ed.)
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978-1–904764–30–4 (pbk)
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Notes from the Underground
Goran Gocic
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978-1-903364-16-1 (hbk)
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Selected Essays from Volumes 10-15
Sidney Gottlieb and Richard Allen (eds)
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978-1-905674-95-4 (pbk)
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From Iconography to Ideology
Barry Grant
Jim Barratt
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978-1-905674-87-9 (pbk)
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Gender, Fiction and Fandom from Bram Stoker to Buffy
Milly Williamson
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Hollywood on the Front Line
Guy Westwell
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978-1-904764-54-0 (pbk)
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Glyn Davis
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978-1-905674-88-6 (pbk)
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Cyberpunk Reloaded
Stacy Gillis (ed.)
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978-1–904764–32–8 (pbk)
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Rebuilding the Cinematic City
Mark Shiel
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978-1-904764-48-9 (pbk)
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Representations in Film and Television Since 1933
Toby Haggith and Joanna Newman (eds)
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978-1–904764–51–9 (pbk)
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From Achievement to Appreciation
Andrew Klevan
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978-1-904764-24-3 (pbk)
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From Bonnie and Clyde to Star Wars
Peter Krämer
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978-1-904764-58-8 (pbk)
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John Orr
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978-1–904764–55–7 (pbk)
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978-1–904764–56–4 (hbk)
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John Box and Production Design
Ian Christie
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978-1905674-94-7 (pbk)
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The Margins of Reality
Paul Ward
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978-1-904764-59-5 (pbk)
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From Zoetrope to Digital
Leo Enticknap
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978-1–904764–06–9 (pbk)
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978-1–904764–07–6 (hbk)
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History, Theory and Practice
Steven Maras
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978-1-905674-81-7 (pbk)
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978-1-905674-82-4 (hbk)
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American Youth on Screen
Timothy Shary
Lalitha Gopalan
Peter Hames
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978-1–904764–42–7 (pbk)
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978-1–904764–43–4 (hbk)
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From Berlin to Sin City
Mark Bould
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978-1-904764-50-2 (pbk)
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Film, Pleasure and Digital Culture, vol. 1
Scott Balcerzak and Jason Sperb (eds)
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978-1-905674-83-1 (pbk)
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978-1-905674-84-8 (hbk)
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The Cinema of People’s Poland
Paul Coates
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978-1–904764–26–7 (pbk)
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978-1–904764–27–4 (hbk)
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Nicholas Rombes
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978-1-905674-85-5 (pbk)
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978-1-905674-86-2 (hbk)
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Medicine and Cinema
Graeme Harper and Andrew Moor
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978-1–904764–16–8 (pbk)
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978-1–904764–17–5 (hbk)
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Race, Gender and Performance
Susan Smith
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978-1–904764–37–3 (pbk)
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Irish Film and Television
Ruth Barton and Harvey O’Brien (eds)
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978-1–903364–94–9 (pbk)
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978-1–903364–95–7 (hbk)
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Writing the Woman into Cinema
Janet McCabe
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978-1-904764-03-8 (pbk)
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Reinventing the Moving Image
Holly Willis
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978-1-904764-25-0 (pbk)
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Masculinities in European and Hollywood Cinema
Phil Powrie, Ann Davies and Bruce Babington (eds)
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978-1-904764-08-3 (pbk)
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978-1-904764-09-0 (hbk)
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Genre, Style, Sensibility
John Mercer
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978-1-904764-02-1 (pbk)
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The Science Fiction Film Reader
Sean Redmond (ed.)
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978-1-903364-87-1 (pbk)
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978-1-903364-88-8 (hbk)
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Soundtracks and Synergy
Pauline Reay
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978-1-903364-65-9 (pbk)
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From Coffee House to Multiplex
John Cunningham
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978-1–903364–79–6 (pbk)
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978-1–903364–80–2 (hbk)
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From Factory Gate to Dream Factory
Simon Popple
Spectacles of Destruction in American Cinema
Wheeler Winston Dixon
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978-1–903364–74–1 (pbk)
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978-1–903364–38–3 (hbk)
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Images of a Generation
Julia Knight
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978-1–903364–28–4 (pbk)
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The Industry and Artistry of East Central European Film
Dina Iordanova
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978-1-903364-64-2 (hbk)
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Forms, Themes and Passions
Michael O'Pray
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978-1-903364-56-7 (pbk)
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Architects of the Screen
Jane Barnwell
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From Bruce Lee to Crouching Tiger
Leon Hunt
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978-1-903364-63-5 (pbk)
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The Art of the Expressive
Valerie Orpen
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978-1-903364-53-6 (pbk)
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Everything You Ever Wanted to Know About the American Movie Business But Didn’t Know Where to Look
Joel W. Finler
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978-1-903364-66-6 (pbk)
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From Documentary to Brit Grit
Samantha Lay
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978-1-903364-41-3 (pbk)
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The School of Sound Lectures, 1998–2001
Larry Sider (ed.)
The Contested Screen
Alison Butler
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978-1-903364-27-7 (pbk)
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Ian Inglis (ed.)
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978-1-903364-71-0 (pbk)
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978-1-903364-72-7 (hbk)
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Genre and Authorship
Paul Wells
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978-1-903364-20-8 (pbk)
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Franco-Asian Cinema and Literature
Sylvie Blum-Reid
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978-1-903364-67-3 (pbk)
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978-1-903364-69-7 (hbk)
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The Craft of Screenwriting
Tudor Gates
Emma Wilson
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978-1-903364-50-5 (pbk)
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Film Style and Interpretation
John Gibbs
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978-1-903364-06-2 (pbk)
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Challenging Representations
Sheila Cornelius with Ian Haydn Smith
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978-1-903364-13-0 (pbk)
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Dress Codes in Popular Film
Sarah Street
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978-1-903364-18-5 (pbk)
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A Guide for Media Students
Searle Kochberg (ed.)
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978-1-903364-37-6 (pbk)
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978-1-903364-46-8 (hbk)
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The Play of Shadows
Vicky Lebeau
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Geoff King
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From Lordsburg to Big Whiskey
John Saunders
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The Cinema of Catastrophe (second edition)
Stephen Keane
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978-1-905674-03-9 (pbk)
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Spaces and Meanings in American Film
Deborah Thomas
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Innovation, Ideology and Propaganda
David Gillespie
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Reflections on Popular French Cinema
Lucy Mazdon (ed.)
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From Outerspace to Cyberspace
Geoff King and Tanya Krzwynska
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An International Newsfilm Conference
Clyde Jeavons, Jane Mercer and Daniela Kirchner
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978-0-901299-69-7 (pbk)
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Hollywood’s Production of Popular Identities
Paul McDonald
From Beelzebub to Blair Witch
Paul Wells
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